![]() ![]() Over the years, he has dedicated a large number of works to his instrument: this album presents a well thought essay, with the aim of summarizing twenty years of composition activity research threads. Is it still possible, in a world that has known all sorts of musical languages, to write music using linguistical and rhetorical forms, or models, from the euro-cultural tradition? What evolution is tonality capable of, and in what way does it marry the expressive requests of contemporaneity? These are the deep questions that guide Livio Torresan’s writing research (1957), a composer with a solid guitar training. ![]()
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